Cultural Capital was engaged by Health Infrastructure to plan, procure and deliver a contemporary arts program for the new Acute Services Building at St George Hospital as part of the Stage 3 Redevelopment. Bringing together artists Lucy Simpson, Christopher Bassi, David Cragg, Louise Zhang and Brett Anthony Moore, the program invited each artist to extend their practice within the complex environment of healthcare, responding with care and sensitivity to the emotional and practical realities of a hospital setting.
Cultural Capital led an extensive engagement process with community groups, clinical teams, hospital staff and diversity and inclusion representatives to inform the development of the Arts in Health Strategy and curatorial framework. Grounded in themes of regeneration, wellbeing and connection to place, the program reflects the values and lived experiences of the diverse St George community while encouraging artists to work ambitiously within highly specialised contexts.
Delivered through a combination of limited tender, Expressions of Interest and direct commission, the project balanced ambitious artistic outcomes with the technical and operational requirements of a major healthcare environment. The resulting program positions art as an integral part of the hospital experience, contributing moments of reflection, comfort, and connection throughout the building.
Christopher Bassi created a series of large-scale vinyl murals based on original watercolours responding to the waterways, tides and ecologies of Bidjigal Country surrounding the hospital precinct. Inspired by the seasonal rhythms and regenerative cycles of Saltwater Country, the works reflect connections between Country, water, community and wellbeing. Developed through time spent engaging with the landscape and its ecological systems, the watercolours reference both the fluidity of water and the painterly history of the Botany Bay region. Drawing on native plant species and Aboriginal healing practices, the murals introduce moments of calm, reflection and connection within the hospital environment.
Drawing inspiration from traditional Chinese textiles, which weave diverse elements of nature into a single fabric, Louise’s layered compositions use botanical forms as a shared visual language across cultures. As part of the commission, staff, patients, families, and the wider community were invited to contribute photographs of locally significant plant species. These submissions revealed stories of food, medicine, cultural symbolism, and memory, forming the basis of artworks developed in dialogue with the community. This collaborative process grounds the works in lived experience, fostering connection, familiarity, and a sense of belonging within the hospital environment.
Sun and Moon is a love letter to the natural world and our place within it, tracing rhythms of migration, regeneration, and renewal across the floors of St George Hospital. The work reflects the understanding that even within dense urban environments, human experience remains deeply connected to the cycles of Country. In a clinical setting often removed from nature, the artwork offers moments of calm, reflection and connection, supporting patients, staff and visitors through the ebb and flow of recovery. By reconnecting audiences with natural rhythms, Sun and Moon nurtures a greater sense of wellbeing, continuity, and care within the hospital environment.