It has been estimated that the average person will spend roughly 90,000 hours at work over a lifetime – that’s approximately one-third of their life. With this in mind, the ‘Creative Communities’ project invests in the well-being of tenant communities by activating ESR workplaces with site-specific art.
Cultural Capital partnered with ESR Australia & NZ to author a public art strategy that would recognise the transformative power of art in industrial spaces. The aim of the strategy was to elevate workplace environments, foster community connections, and allow site users to thrive. The resulting strategy was the ‘Creative Communities’ program, which provided a framework to commissioning site-specific artworks made by local artists that celebrate the creativity of communities across Australia and their colourful relationships to place. Cultural Capital has delivered multiple artworks for the Creative Communities program, adopting a site-specific approach to each project.
We have engaged with local artists across Australia. Commissioned works in the program include ‘Pretty Little Fears’ by Dylan Bolger in Acacia Ridge, QLD, ‘Chromatic Oscillation’ by Drez in Cherry Lane, VIC, and ‘Twilight Driving’ by Helen Proctor in Horsley Park, NSW, and ‘Resonance’ by Nastia Gladuschenko in Kemps Creek, NSW.
The ‘Creative Communities’ program has been celebrated for bringing vibrancy, colour and creative expression to industrial sites, enhancing the well-being of users, workers and visitors and celebrating the diversity of creative communities across Australia.
‘Pretty Little Fears’ is a large-scale mural commission by Maiawali, Karuwali, Pitta-Pitta and Gomeroi artist, Dylan Bolger situated in Acacia Ridge Business Park on an 18 ha estate located in the established precinct of Acacia Ridge, Queensland. The artwork delves into themes of growth and destruction. The work celebrates Blak excellence and the resilience of Dylan’s people and culture throughout ongoing colonisation. Dylan’s mural poignantly explores these themes, depicting natural events such as fires and floods that disrupt the composition, alongside the flourishing of local plant species.
Photography by Brendan Schouten.
‘Twilight Driving’ by Helen Proctor wraps a water tank at Horsley Logistics Park with a mural inspired by the Australian bushland and the twilight hues of dusk. Evoking nostalgia, the piece reflects Helen’s childhood memories of traversing the plains of Greater Western Sydney. The mural’s sharp lines and abstract shapes blend seamlessly with the cylindrical form, creating a sculptural feel that captures the beauty of the Australian landscape in the magic hours of dusk.
Photography by Aran Anderson.
Using bold strips of colours, local Melbourne-based artist Drez transformed over 2,000sqm of warehouse façade at ESR’s development at Cherry Lane in a vibrant, dynamic spectacle. The resulting artwork mimic the rhythmic flow of passing vehicles, allowing the mural to ripple with motion, engaging passerby in a visual dance of energy and movement. The mural is a celebration of diversity, perspective, and interconnected paths, embodying Drez’ mission to create inclusive and accessible public art.
Photography by Nicole Reed.
‘Resonance’ by Nastia Gladuschenko seeks to evoke the emotions, memories, and sensations we associate with nature—its mystery, beauty, and quiet power. Overlapping forms suggest relationships and moments of growth, reflecting not only the ecological networks of Kemps Creek Reserve but also the collaborative spirit of ESR and its wider community. ‘Resonance’ unfolds as a living ecosystem of forms and ideas, responding to light, time and the people who encounter it.
Photography by Aran Anderson